This project began by taking pictures of the object itself, then turning them into a collage, and lastly adding a word that relates to it. As a designer, I attempted to show the word extinguish not only through the word but also through the arrangement of the pictures. The pictures of the object are overlapping in different lights to remind the viewer of the fumes that are being extinguished.
This project began by taking pictures of the object itself, then turning them into a collage, and lastly adding a word that relates to it. As a designer, I attempted to show the word extinguish not only through the word but also through the arrangement of the pictures. The pictures of the object are overlapping in different lights to remind the viewer of the fumes that are being extinguished.
Year produced : 2019
Year produced : 2019
Uyoon Font
The artwork showcases an Arabic font, meticulously crafted to resemble the graceful curves and intricate details found in the eyes. The flowing strokes of the letters mimic the graceful movement of eyelashes, while the intricate details within the font reflect the mesmerizing patterns and textures found in the iris. The overall composition creates a harmonious balance between the fluidity of the Arabic script and the captivating essence of the eyes. This artwork not only celebrates the beauty of Arabic typography but also pays homage to the enchanting power of the eyes, evoking a sense of intrigue and wonder.
Year Produced : 2022
Fasqaynakomoh
through a series of experimental designs. In this artwork, the focus is on the word "فاسقيناكموه" which happens to be the longest word in the Quran. Each design within the series explores different typographic techniques, pushing the boundaries of creativity and visual impact. creating interesting patterns and compositions. Additionally, I experimented with various styles and weights of the Arabic font, showcasing the versatility and beauty of the script. The overall result is a collection of visually striking and thought-provoking designs that celebrate the richness of Arabic typography while highlighting the significance of this unique word from the Quran.
Year Produced : 2022
Laymoon
This art work was designed for my dear friend, Lama, whose nickname is Laymoon. Laymoon means lemons in Arabic , but she has a fondness for oranges. This artwork showcases her name in Arabic, with a creative twist. The design features two halves juxtaposed on the letters of her name. On one side, there's a half of a lemon, representing the meaning of her nickname. On the other side, there's a half of an orange, symbolizing her love for oranges. In the middle, her name is beautifully displayed.
Year produce : 2024
Alegd / The necklace
This artwork seamlessly blends elements of nostalgia, cherished memories, music, typography, and design. The pearl necklace showcased holds immense sentimental value as it has been passed down through generations, starting from my great grandmother. Its significance is heightened by the fact that it was adorned by her, my grandmother, my mother, and now myself. Even though my grandmother is no longer with us, wearing this necklace serves as a poignant reminder of her and evokes treasured memories we shared. Furthermore, the typography, which I personally crafted, draws inspiration from the intricate beauty of Arabic jewelry. The poetic verse inscribed on the artwork is a line from a song that my mother used to play to me.
Year produced: 2024
Risograph
This artwork delicately intertwines the essence of a poetic Arabic song with a visually captivating picture printed on risograph. The subtle presence of a grape in the background adds a layer of symbolism and depth to the composition, enhancing the fusion of lyrical beauty and artistic expression within the piece.
Arabic Typography
Design Workshop
In April 2025, I hosted an Arabic typography design workshop in Sardinia, blending cultural expression with natural inspiration. The workshop invited participants to explore the rich landscape of Sardinia and translate their observations into unique Arabic letterforms and words. By drawing from textures, shapes, and patterns found in nature, attendees developed original typographic designs that reflected both their personal interpretations and the environment around them. This experience fostered a creative dialogue between language, place, and design.
Pattern Design Workshop
in April 2025, I led The Art of Nature, a pattern design workshop held in Sardinia. Centered around the theme of nature as a source of inspiration, the workshop encouraged participants to observe the organic forms, textures, and rhythms found in the surrounding landscape. Through guided exploration and hands-on design sessions, attendees translated their natural observations into original pattern designs. The workshop celebrated the intersection of environment and creativity, highlighting how nature can inform and enrich contemporary visual design.
